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Ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music . Futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery. Proliferation Of Electronic Music Research Institutions "In Kontakte, Stockhausen abandoned traditional musical form based on linear development and dramatic climax. This new approach, which he termed 'moment form', resembles the 'cinematic splice' techniques in early twentieth-century film." In the 1950s, Japanese electronic musical instruments began influencing the international music industry. Ikutaro Kakehashi, who founded Ace Tone in 1960, developed his own version of electronic percussion that had been already popular on the overseas electronic organ. At NAMM 1964, he revealed it as the R-1 Rhythm Ace, a h